A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation

D.P. Biró; P. van Kranenburg

A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation

D.P. Biró, P. van Kranenburg

Meertens Instituut - Nederlandse Etnologie

Research output: Chapter in book/volume › Contribution to conference proceedings › Scientific › peer-review

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Abstract

This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bartók’s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur’an recitation, in order to test hypotheses about connections between the rules of Qur’an recitation (tajwīd) and the establishment of salient tones within Qur’an recitation per- formance.

Original language	English
Title of host publication	Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014)
Editors	A. Holzapfel
Place of Publication	Istanbul
Publisher	Boğaziçi University
Pages	70-77
Number of pages	8
Publication status	Published - 2014

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Biró, D. P., & van Kranenburg, P. (2014). A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. In A. Holzapfel (Ed.), Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014) (pp. 70-77). Boğaziçi University.

Biró, D.P. ; van Kranenburg, P. / A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). editor / A. Holzapfel. Istanbul : Boğaziçi University, 2014. pp. 70-77

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abstract = "This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bart{\'o}k{\textquoteright}s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur{\textquoteright}an recitation, in order to test hypotheses about connections between the rules of Qur{\textquoteright}an recitation (tajw{\=i}d) and the establishment of salient tones within Qur{\textquoteright}an recitation per- formance.",

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Biró, DP & van Kranenburg, P 2014, A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. in A Holzapfel (ed.), Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Boğaziçi University, Istanbul, pp. 70-77.

A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. / Biró, D.P.; van Kranenburg, P.
Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). ed. / A. Holzapfel. Istanbul: Boğaziçi University, 2014. p. 70-77.

Research output: Chapter in book/volume › Contribution to conference proceedings › Scientific › peer-review

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Biró DP, van Kranenburg P. A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. In Holzapfel A, editor, Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Istanbul: Boğaziçi University. 2014. p. 70-77