This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bartók’s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur’an recitation, in order to test hypotheses about connections between the rules of Qur’an recitation (tajwīd) and the establishment of salient tones within Qur’an recitation per- formance.
|Title of host publication||Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014)|
|Place of Publication||Istanbul|
|Number of pages||8|
|Publication status||Published - 2014|