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A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. / Biró, D.P.; van Kranenburg, P.

Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). ed. / A. Holzapfel. Istanbul : Boğaziçi University, 2014. p. 70-77.

Research output: Chapter in book/volumeContribution to conference proceedingsScientificpeer-review

Harvard

Biró, DP & van Kranenburg, P 2014, A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. in A Holzapfel (ed.), Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Boğaziçi University, Istanbul, pp. 70-77.

APA

Biró, D. P., & van Kranenburg, P. (2014). A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. In A. Holzapfel (Ed.), Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014) (pp. 70-77). Istanbul: Boğaziçi University.

Vancouver

Biró DP, van Kranenburg P. A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. In Holzapfel A, editor, Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Istanbul: Boğaziçi University. 2014. p. 70-77.

Author

Biró, D.P. ; van Kranenburg, P./ A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). editor / A. Holzapfel. Istanbul : Boğaziçi University, 2014. pp. 70-77

BibTeX

@inbook{1b4804c5c3214b7d945c22273d23cf16,
title = "A Computational Re-Examination of B{\'e}la Bart{\'o}k's Transcription Methods as Exemplified by his Sirat{\'o} Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation",
abstract = "This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bartók’s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur’an recitation, in order to test hypotheses about connections between the rules of Qur’an recitation (tajwīd) and the establishment of salient tones within Qur’an recitation per- formance.",
author = "D.P. Bir{\'o} and {van Kranenburg}, P.",
note = "Reporting year: 2014",
year = "2014",
language = "English",
pages = "70--77",
editor = "A. Holzapfel",
booktitle = "Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014)",
publisher = "Boğazi{\cc}i University",

}

RIS

TY - CHAP

T1 - A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation

AU - Biró,D.P.

AU - van Kranenburg,P.

N1 - Reporting year: 2014

PY - 2014

Y1 - 2014

N2 - This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bartók’s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur’an recitation, in order to test hypotheses about connections between the rules of Qur’an recitation (tajwīd) and the establishment of salient tones within Qur’an recitation per- formance.

AB - This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bartók’s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur’an recitation, in order to test hypotheses about connections between the rules of Qur’an recitation (tajwīd) and the establishment of salient tones within Qur’an recitation per- formance.

M3 - Contribution to conference proceedings

SP - 70

EP - 77

BT - Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014)

PB - Boğaziçi University

CY - Istanbul

ER -

ID: 123275