Similar to other disciplines in the Humanities, Musicology has engaged with the digital, resulting in (informal) sub-disciplinary labels like 'Digital Musicolgy' and 'Computational Musicology'. This presentation focuses on the application of digital and computational tools to polyphonic music from the Renaissance - roughly the period between 1430 and 1600. After a brief introduction on music of this particular period, projects and initiatives dealing with different types of digital content (e.g. images, metadata, encoded notation) will be discussed.
Periode
17 okt. 2018
Gehouden op
Leiden University Centre for Digital Humanities, Nederland