A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation

D.P. Biró; P. van Kranenburg

A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation

D.P. Biró, P. van Kranenburg

Meertens Instituut - Nederlandse Etnologie

Onderzoeksoutput: Hoofdstuk in boek/boekdeel › Bijdrage aan conferentie proceedings › Wetenschappelijk › peer review

171 Downloads (Pure)

Samenvatting

This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bartók’s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur’an recitation, in order to test hypotheses about connections between the rules of Qur’an recitation (tajwīd) and the establishment of salient tones within Qur’an recitation per- formance.

Originele taal-2	Engels
Titel	Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014)
Redacteuren	A. Holzapfel
Plaats van productie	Istanbul
Uitgeverij	Boğaziçi University
Pagina's	70-77
Aantal pagina's	8
Status	Gepubliceerd - 2014

Toegang tot document

PDFFinal published version, 3,22 MB

Vingerafdruk

Duik in de onderzoeksthema's van 'A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation'. Samen vormen ze een unieke vingerafdruk.

Citeer dit

Biró, D. P., & van Kranenburg, P. (2014). A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. In A. Holzapfel (editor), Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014) (blz. 70-77). Boğaziçi University.

Biró, D.P. ; van Kranenburg, P. / A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). redacteur / A. Holzapfel. Istanbul : Boğaziçi University, 2014. blz. 70-77

@inbook{1b4804c5c3214b7d945c22273d23cf16,

title = "A Computational Re-Examination of B{\'e}la Bart{\'o}k's Transcription Methods as Exemplified by his Sirat{\'o} Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation",

abstract = "This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bart{\'o}k{\textquoteright}s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur{\textquoteright}an recitation, in order to test hypotheses about connections between the rules of Qur{\textquoteright}an recitation (tajw{\=i}d) and the establishment of salient tones within Qur{\textquoteright}an recitation per- formance.",

author = "D.P. Bir{\'o} and {van Kranenburg}, P.",

note = "Reporting year: 2014",

year = "2014",

language = "English",

pages = "70--77",

editor = "A. Holzapfel",

booktitle = "Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014)",

publisher = "Boğazi{\c c}i University",

address = "Turkey",

}

Biró, DP & van Kranenburg, P 2014, A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. in A Holzapfel (redactie), Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Boğaziçi University, Istanbul, blz. 70-77.

A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. / Biró, D.P.; van Kranenburg, P.
Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). redactie / A. Holzapfel. Istanbul: Boğaziçi University, 2014. blz. 70-77.

Onderzoeksoutput: Hoofdstuk in boek/boekdeel › Bijdrage aan conferentie proceedings › Wetenschappelijk › peer review

TY - CHAP

T1 - A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation

AU - Biró, D.P.

AU - van Kranenburg, P.

N1 - Reporting year: 2014

PY - 2014

Y1 - 2014

N2 - This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bartók’s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur’an recitation, in order to test hypotheses about connections between the rules of Qur’an recitation (tajwīd) and the establishment of salient tones within Qur’an recitation per- formance.

AB - This is a study about furthering transcription methods via com- putational means. In particular we re-examine Bartók’s methods of transcription to see how his project of transcription might be continued incorporating 21st century technology. We then go on to apply our established analytical and computational tools to examples of Qur’an recitation, in order to test hypotheses about connections between the rules of Qur’an recitation (tajwīd) and the establishment of salient tones within Qur’an recitation per- formance.

M3 - Contribution to conference proceedings

SP - 70

EP - 77

BT - Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014)

A2 - Holzapfel, A.

PB - Boğaziçi University

CY - Istanbul

ER -

Biró DP, van Kranenburg P. A Computational Re-Examination of Béla Bartók's Transcription Methods as Exemplified by his Sirató Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur'an Recitation. In Holzapfel A, redacteur, Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Istanbul: Boğaziçi University. 2014. blz. 70-77