@conference{6ac5415d681f4d9c84268e50eeebc21f,
title = "Hearing Voices in the Archive: Wartime Correspondence and the Road to Expanded Source Criticism",
abstract = "This abstract was written as a contribution to the workshop 'Exploring Historical War Experiences through Digital Sources and Methodologies' organised by Tampere Univerisity, Finland, 23-24 May 2024. This contribution reflects on digital transformations and the {\textquoteleft}analog{\textquoteright} provenance of historical archival collections of so-called {\textquoteleft}egodocuments{\textquoteright}. The increasing availability and usage of digital-born or digitised records in historical scholarship has created a momentum to critically reflect on transformative interactions with(in) the archive that are crucial to doing (digital) historical research. A recently digitised wartime letters collection (1935-1950), held by the NIOD Institute for War, Holocaust, and Genocide Studies in Amsterdam, serves as a case study to illustrate a need to expand current practices of source criticism in historical scholarship in the digital age. ",
keywords = "Source Criticism, Archival Studies, Archival transformations, Personal correspondence, Egodocuments, Digitisation, Records Continuum Model, Provenance, Curatorial Voice, World War II collections",
author = "{Lange, van}, Milan",
year = "2024",
doi = "10.5281/zenodo.13168708",
language = "English",
}