What constitutes the core of the edition? Its data or its presentation? In the world of printed critical editions the two things were forcefully tangled; in the electronic world they can be (and often are) separated. Is it possible to think of a digital critical edition as a collection of “pure data”? Or is a presentation layer fundamental to the concept of “edition”?
|Status||Gepubliceerd - 2015|
|Evenement||DiXiT: Technology, Software, Standards for the Digital Scholarly Edition - Huygens ING, The Hague, Nederland|
Duur: 14 sep. 2015 → 18 sep. 2015
|Conferentie||DiXiT: Technology, Software, Standards for the Digital Scholarly Edition|
|Periode||14/09/2015 → 18/09/2015|